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Julia with difficulty reached the edifice, at the door of which she was met by a young cavalier, whose pleasing and intelligent countenance immediately interested her in his favor. He welcomed the strangers with a benevolent politeness that dissolved at once every uncomfortable feeling which their situation had excited, and produced an instantaneous easy confidence. Through a light and elegant hall, rising into a dome, supported by pillars of white marble, and adorned with busts, he led them to a magnificent vestibule, which opened upon a lawn. Having seated them at a table spread with refreshments he left them, and they surveyed, with surprise, the beauty of the adjacent scene.,

“Good day, John! Now this is very kind of you to come to me, away out here.”,

When the first tumult of Julia's emotions subsided, the joy which the sudden departure of the marquis occasioned yielded to apprehension. He had threatened to appeal to a higher power, who would compel the Abate to surrender her. This menace excited a just terror, and there remained no means of avoiding the tyranny of the marquis but by quitting the monastery. She therefore requested an audience of the Abate; and having represented the danger of her present situation, she intreated his permission to depart in quest of a safer retreat. The Abate, who well knew the marquis was wholly in his power, smiled at the repetition of his menaces, and denied her request, under pretence of his having now become responsible for her to the church. He bade her be comforted, and promised her his protection; but his assurances were given in so distant and haughty a manner, that Julia left him with fears rather increased than subdued. In crossing the hall, she observed a man hastily enter it, from an opposite door. He was not in the habit of the order, but was muffled up in a cloak, and seemed to wish concealment. As she passed he raised his head, and Julia discovered—her father! He darted at her a look of vengeance; but before she had time even to think, as if suddenly recollecting himself, he covered his face, and rushed by her. Her trembling frame could scarcely support her to the apartment of madame, where she sunk speechless upon a chair, and the terror of her look alone spoke the agony of her mind. When she was somewhat recovered, she related what she had seen, and her conversation with the Abate. But madame was lost in equal perplexity with herself, when she attempted to account for the marquis's appearance. Why, after his late daring menace, should he come secretly to visit the Abate, by whose connivance alone he could have gained admission to the monastery? And what could have influenced the Abate to such a conduct? These circumstances, though equally inexplicable, united to confirm a fear of treachery and surrender. To escape from the abbey was now inpracticable, for the gates were constantly guarded; and even was it possible to pass them, certain detection awaited Julia without from the marquis's people, who were stationed in the woods. Thus encompassed with danger, she could only await in the monastery the issue of her destiny.,

She went, by chance, to walk in the same wood in which she had met Riquet with the Tuft, in order to meditate more uninterruptedly over what she had to do. While she was walking, deep in thought, she heard a dull sound beneath her feet, as of many persons running to and fro, and busily occupied. Having listened more attentively, she heard one say, "Bring me that saucepan;" another, "Give me that kettle;" another, "Put some wood on the fire." At the same moment the ground opened, and she saw beneath her what appeared to be a large kitchen, full of cooks, scullions, and all sorts of servants necessary for the preparation of a magnificent banquet. There came forth a band of about twenty to thirty cooks, who went and established themselves in an avenue of the wood, at a very long table, and who, each with the larding-pin in his hand and the tail of his fur cap over his ear, set to work, keeping time to a harmonious song.

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Indifference to his wife affecting.,

Jerry turned. “You’re right, I guess. It’s the Labyrinth.”,

“No kill. Tie, gag, throw in bushes. Him no more trouble to-night. Then come here get you.”,

The letter, when it was given to Emilia, excited emotions which she found it impossible to disguise, but which did not, however, protect her from a suspicion that she was concerned in the transaction, her knowledge of which this letter appeared intended to conceal.